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The three halls each maintain their own identities while complementing each other in size, function, and acoustic objectives. They were designed above and beyond expected requirements, with leading consultants in acoustics (Larry Kierkegaard from Chicago), lighting (Steven Scott from Denmark), and stage design (Charcoal Blue from London) being brought in toto the fold. The following is the architects’ description of the three:Hall 1 is designed to be reminiscent of the fine lines and interior of a fine classical wooden instrument; providing a warm intimacy between musicians and patrons. Hall 2 should be restored to its original glory with its classic layout and respect for tradition. Hall 3 is designed to be the most flexible and multi-functional of the three Halls.
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