He supplied the gates for the Verdun Memorial in 1928 and various parts for a number of buildings in Paris, including those designed by Robert Mallet-Stevens, for whom he produced the railings and gratings for the private mansions in Rue Mallet-Stevens in 1926.[5]
In 1930 Prouvé helped establish the Union of Modern Artists whose manifesto read, "We like logic, balance and purity." Although he shaped his public image around the idea that he was not married to a specific aesthetic, the tenets of "l'École de Nancy" were certainly a powerful influence on his body of work. "I was raised," Prouvé says, "in a world of artists and scholars, a world which nourished my mind."[citation needed]
Prouvé opened the successful "Ateliers Jean Prouvé" in 1931 and began collaborating with French architects Eugène Beaudoin and Marcel Lods on projects such as the Maison du Peuple in Clichy, an aviation club and an army camp. He also collaborated with Charlotte Perriand and Pierre Jeanneret on a variety of furniture designs. The war kept "Ateliers" in business manufacturing bicycles and a stove called "Pyrobal" that could burn on any fuel. He favored the public sector in the growing areas of health, education and administration, which reflected a social ideal but also offered the economies of scale. By 1936 he was producing a catalogue of standard models for hospitals, schools and offices. The potential for mass production inspired Prouvé to develop and patent industrial products using folded sheet metal for the construction of buildings. These included movable partitioning, metal doors and elevator cages.[6] When the French government announced the initiation of paid vacations for workers, Prouvé responded with the BLPS (1937–39), a prefabricated steel vacation home. Weighing less than two tons, the 3.3 square meter (35.5 square feet) structure could be put up or taken down by five workers in four to five hours.[7] In 1939 he designed portable barracks for the French army.[8] Later, "Ateliers Jean Prouvé" were commissioned by the Reconstruction Ministry to mass-produce frame houses for refugees. At a time when cheap, speedily built housing was needed all over the world, Prouvé was recognized as a leader in the field, alongside the North American designer R. Buckminster
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เขาให้ประตูสำหรับอนุสรณ์ดุนในส่วนต่าง ๆ และ 1928 จำนวนอาคารในปารีส รวมทั้งการออกแบบโดยโรเบิร์ตตะลุมพุก-Stevens ที่เขาผลิตรถลากและ gratings ผ่านความพยายามสำหรับดื่มส่วนใน Rue ตะลุมพุก-Stevens ใน 1926 [5]ในการช่วยสร้างการยูเนียนของศิลปินแถลงการณ์ที่อ่าน Prouvé 1930 "เราชอบตรรกะ ความสมดุล และความบริสุทธิ์" ถึงแม้ว่าเขารูปภาพเขาสาธารณะรอบ ๆ ความคิดที่ เขาไม่แต่งงานแล้วกับสุนทรียะเฉพาะ tenets ของ " de l'École Nancy " มีอิทธิพลมีประสิทธิภาพบนร่างกายของเขาทำงานอย่างแน่นอน "ฉันขึ้น Prouvé กล่าวว่า "ในโลกของความเป็นศิลปินและนักปราชญ์ โลกซึ่งหล่อเลี้ยงจิตใจของฉัน" [ต้องการอ้างอิง]Prouvé opened the successful "Ateliers Jean Prouvé" in 1931 and began collaborating with French architects Eugène Beaudoin and Marcel Lods on projects such as the Maison du Peuple in Clichy, an aviation club and an army camp. He also collaborated with Charlotte Perriand and Pierre Jeanneret on a variety of furniture designs. The war kept "Ateliers" in business manufacturing bicycles and a stove called "Pyrobal" that could burn on any fuel. He favored the public sector in the growing areas of health, education and administration, which reflected a social ideal but also offered the economies of scale. By 1936 he was producing a catalogue of standard models for hospitals, schools and offices. The potential for mass production inspired Prouvé to develop and patent industrial products using folded sheet metal for the construction of buildings. These included movable partitioning, metal doors and elevator cages.[6] When the French government announced the initiation of paid vacations for workers, Prouvé responded with the BLPS (1937–39), a prefabricated steel vacation home. Weighing less than two tons, the 3.3 square meter (35.5 square feet) structure could be put up or taken down by five workers in four to five hours.[7] In 1939 he designed portable barracks for the French army.[8] Later, "Ateliers Jean Prouvé" were commissioned by the Reconstruction Ministry to mass-produce frame houses for refugees. At a time when cheap, speedily built housing was needed all over the world, Prouvé was recognized as a leader in the field, alongside the North American designer R. Buckminster
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