Both drew on colonial-era Mooi Indi

Both drew on colonial-era Mooi Indie aesthetics, for example. But amateurs shared in and perpetuated the nostalgic romanticization of the nonmodem that had characterized both the colonial Mooi Indie painting genre and the Euro- pean salon photography movement.

Results (Indonesian) 2:

Kedua menarik pada era kolonial Mooi Indie estetika, misalnya. Tapi amatir bersama dan mengabadikan romantisasi nostalgia nonmodem yang ditandai kedua kolonial Mooi Indie lukisan bergenre dan Euro pean gerakan salon fotografi.