The light side represents an ideal

The light side represents an ideal order in religion and myths, while the dark side represents
the wild, overgrown infinity that hides beyond the limits of order. The polarity between the
light and the dark is reflected in the conflict between the ideals of classicism and Gothicism.
The Classical ideals are founded on clarity, reason, light and rules. The Gothic ideals are
metaphysical and are founded on archaic visions, dreams, the dark and obscure, inspiration
and infatuation. The thinkers of the Renaissance viewed the Goths as a sign of the ruination of
culture. The Gothic was viewed as the utmost antithesis of classical civilization and classical
ideals of beauty. According to the classical taste, the gothic represented something insipid and
overgrown, threatening and terrifying. However, during the end of the 18th century Gothicism
was re-evaluated and gothic architecture was once again appreciated. German intellectuals
like herder and Goethe embraced Gothicism as an aesthetic ideal. Gothicism fascinated artist
and writers both in England and on the Continent. What had been associated with darkness
and barbarism during the Renaissance was now a great source of inspiration. The English
Romantics sought out the Gothic and a felling of enthusiastic terror instead of the pure, light
and structured ideals of classicism. In a text from the 18th century, one can find a list of things
that would cause this feeling of terror: gods, demons, hell, spirits, human souls, enchantments,
wizardry, thunder, floods, monsters, fire, war, plague, starvation, etc. During the 19th century,
Ruin Romanticism was developed in the sphere of art- a favorite motif depicted graveyards
and ruins of gothic churches grown over with the untamed nature under the pale full moon.
Exploring the dark became a path to increased knowledge about the hidden nature of man,
and Gothicism became a form of expression for man’s shadow side.

Results (Portuguese) 1:

The light side represents an ideal order in religion and myths, while the dark side represents the wild, overgrown infinity that hides beyond the limits of order. The polarity between the light and the dark is reflected in the conflict between the ideals of classicism and Gothicism.The Classical ideals are founded on clarity, reason, light and rules. The Gothic ideals are metaphysical and are founded on archaic visions, dreams, the dark and obscure, inspiration and infatuation. The thinkers of the Renaissance viewed the Goths as a sign of the ruination of culture. The Gothic was viewed as the utmost antithesis of classical civilization and classical ideals of beauty. According to the classical taste, the gothic represented something insipid and overgrown, threatening and terrifying. However, during the end of the 18th century Gothicismwas re-evaluated and gothic architecture was once again appreciated. German intellectuals like herder and Goethe embraced Gothicism as an aesthetic ideal. Gothicism fascinated artist and writers both in England and on the Continent. What had been associated with darkness and barbarism during the Renaissance was now a great source of inspiration. The English Romantics sought out the Gothic and a felling of enthusiastic terror instead of the pure, light and structured ideals of classicism. In a text from the 18th century, one can find a list of things Isso faria com que essa sensação de terror: deuses, demônios, inferno, espíritos, almas humanas, encantamentos, feitiçaria, trovões, inundações, monstros, fogo, guerra, peste, fome, etc. Durante o século XIX, Romantismo de ruína foi desenvolvido no âmbito da arte - cemitérios um favorito do motivo retratado e ruínas de igrejas góticas cresceu com a natureza selvagem sob a pálida lua cheia. Explorar o escuro tornou-se um caminho para o aumento do conhecimento sobre a natureza oculta do homem, e goticismo tornou-se uma forma de expressão para o lado de sombra do homem.

Results (Portuguese) 3:

A Luz representa um ideal de ordem Na religião e MITOS, enquanto o Lado escuro representa
a selvagem Grande Infinito que se esconde além DOS limites Da ordem.A polaridade entre a Luz e as Trevas - reflecte - se no conflito entre OS ideais do classicismo e Gothicism.
a clássica ideais são fundadas sobre a clareza, a razão, a Luz e as Regras.O gótico ideais são:Metafísica e baseiam - se no arcaico, visões, Sonhos, escuro e obscuro, inspiração
e paixão.OS pensadores do renascimento, Visto OS godos Como um sinal Da ruína de
cultura.O gótico FOI considerada a maior antítese Da civilização clássica e erudita
ideais de beleza.De acordo com o clássico Sabor, O gótico representava algo insípido e
coberto,Ameaçador e assustador.No entanto, Durante o final do século XVIII Gothicism
FOI reavaliada e gótico FOI novamente apreciado.Pastor alemão - Como intelectuais e Goethe abraçou Gothicism Como um ideal estético.Gothicism fascinado artista
e escritores, tanto Na Inglaterra e no continente.O que tinha SIDO associada a escuridão: