Numerous works in popular music and literature feature Adolf Hitler prominently.
In Germany, Hitler was usually depicted as a god-like figure, loved and respected by the German people, as, for example, in Triumph of the Will, which Hitler co-produced. An exception was the German movie Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse), (1933), which was banned by the Nazi propaganda ministry. Many critics consider Fritz Lang's depiction of a homicidal maniac masterminding a criminal empire from within the walls of a criminal asylum to be an allegory of the Nazi ascent to power in Germany.[1] Another early example of a cryptic depiction is in Bertolt Brecht's 1941 play, The Resistible Rise of Arturo Ui, in which Hitler, in the persona of the principal character Arturo Ui,[2] a Chicago racketeer in the cauliflower trade, is ruthlessly satirised. Brecht, who was German but left when the Nazis came to power, also expressed his opposition to the National Socialist and Fascist movements in other of his most famous plays.