Scholarly or higher magic has far g

Scholarly or higher magic has far greater ambitions than folkish magic. Occultists have at all
times sought treasures, riches, kingdoms, wisdom and even the possibility of becoming a god,
through higher magic. The rituals of the old scholarly books of the Black Arts are, unlike the
folkish tradition, very advanced and often contain conjurations of demons. Subsequent to the
occult renaissance of the 19th century, scholarly magic was a mixture of common operative
magic and divinatory magic. Ordinary magic with wax dolls, intended to cause harm to an
enemy, was combined with divinatory magic to gain contact with the demon that, hopefully,
would assist the magician in the accomplishment of his will.
With the arrival of occultists like S.L. MacGregor Mathers. Aleister Crowley and Dion Fortune, a
new view on magic dawned. The mental and meditative aspects were focused upon. Attempts
were made to contact higher powers and others worlds using meditation, trance, rituals and
other techniques. The main problem with this form of magic is that even its most prominent
practitioners and spokesmen were uncertain as to whether it dealt with pure fantasies or
supernatural beings. Contemporary magic as is practiced by, for instance, Dragon Rouge, could
be referred to as a form of divinatory magic. Aided by different techniques, primarily in the
form of visualizations in combination with rituals, the present day magician attempts to enter
into other (“astral”) worlds and contact higher beings, spirits and demons. The Qabalah was,
furthermore, a great source of inspiration that would constitute the foundation of the magical
system and world image of the Golden Dawn. During the Renaissance, Mystics had already
used the Qabalah and meditative trance to leave the body and enter into the divine,
something that hence can be viewed as a precursor to contemporary magical system.

Results (Portuguese) 1:

Scholarly or higher magic has far greater ambitions than folkish magic. Occultists have at alltimes sought treasures, riches, kingdoms, wisdom and even the possibility of becoming a god, through higher magic. The rituals of the old scholarly books of the Black Arts are, unlike the folkish tradition, very advanced and often contain conjurations of demons. Subsequent to the occult renaissance of the 19th century, scholarly magic was a mixture of common operative magic and divinatory magic. Ordinary magic with wax dolls, intended to cause harm to an enemy, was combined with divinatory magic to gain contact with the demon that, hopefully, would assist the magician in the accomplishment of his will.With the arrival of occultists like S.L. MacGregor Mathers. Aleister Crowley and Dion Fortune, a new view on magic dawned. The mental and meditative aspects were focused upon. Attempts were made to contact higher powers and others worlds using meditation, trance, rituals and other techniques. The main problem with this form of magic is that even its most prominentpractitioners and spokesmen were uncertain as to whether it dealt with pure fantasies or supernatural beings. Contemporary magic as is practiced by, for instance, Dragon Rouge, could be referred to as a form of divinatory magic. Aided by different techniques, primarily in the form of visualizations in combination with rituals, the present day magician attempts to enter em outros mundos ("astrais") e contato de seres superiores, espíritos e demônios. A Cabala foi, Além disso, uma grande fonte de inspiração que constituiria a base do mágico imagem de sistema e mundo da Golden Dawn. Durante o renascimento, os místicos já tinha usou a Qabalah e transe meditativo para deixar o corpo e entrar o divino, algo que, por conseguinte, pode ser visto como um precursor para o contemporâneo sistema mágico.

Results (Portuguese) 3:

Estudiosos Ou maior Magia TEM ambições maiores do que folkish Magia.OS ocultistas à
vezes procurou tesouros, riquezas, reinos, sabedoria e até Mesmo a possibilidade de tornar - se um Deus,
através de Mais Magia.OS rituais DOS velhos Livros de pesquisa Das Artes Negras, Ao contrário do
folkish tradição, Muito avançada e contêm frequentemente conjurações de demônios.Após a
Oculto Da renascença do século XIX, erudita a Magia era UMA Mistura de Magia e Magia divinatória - operacionais comuns.Ordinary magic com wax dolls, destinadas a causar Dano a um inimigo -, FOI combinada com a Magia divinatória para ter Contato com o demônio que, esperemos,
ajudará o mágico no cumprimento Da SUA vontade.
com a chegada de ocultistas Como s.l. MacGregor Mathers.Aleister Crowley e Dion fortune, UMA Nova visão sobre Magia nasce
.OS aspectos mental e meditação foram foco.Tentativas foram feitas para Contato - poderes superiores e outros Mundos através de meditação, Transe, rituais e
outras técnicas.O principal problema com esta forma de Magia é que Mesmo seus Mais proeminentes:Profissionais e porta - vozes incertas Como se lidar com puras Fantasias Ou
seres sobrenaturais.Mágica contemporânea Como é praticada, por exemplo, dragon rouge,
é referida Como UMA forma de Magia divinatória.Através de diferentes técnicas, principalmente no
forma de visualizações EM combinação com rituais, hoje EM dia o mágico tenta Entrar:EM outros Mundos ("astral") e entre EM Contato com seres superiores, espíritos e demónios.A Qabalah foi, além disso, UMA Grande Fonte de inspiração que constitui a fundação do sistema e Mundo mágico - Imagem Da golden dawn.Durante o renascimento, místicos já
a Qabalah e Transe meditativo para deixar o Corpo e Entrar no Divino, OAlgo que, portanto, Pode ser Visto Como um precursor para a mágica contemporânea.