Camitta (1993), for instance, spent three years with adolescents at a  translation - Camitta (1993), for instance, spent three years with adolescents at a  Malay how to say

Camitta (1993), for instance, spent

Camitta (1993), for instance, spent three years with adolescents at a Community High School in
Philadelphia, talking about their writing and sharing the intimacies this involved. The experience
forced her to revise assumptions and beliefs about writing that she had held as a teacher at the
school and which she suggests are dominant in educational circles in the USA. She gradually became
aware of the texts and contexts for unofficial or self-sponsored writing practiced by adolescents:
Writing, she discovered, was an important and varied activity and identified major areas that
“organized” adolescent culture. She draws a contrast between this kind of writing and schooled texts:
“The kinds of written texts I wish to study are not essays, the officially designated discourse genre of
academia, but rather those that adolescents choose to write within the framework of adolescent
culture and social organization.” These texts she called “vernacular,” “in the sense that they are most
closely associated with culture which is neither elite nor institutional. By vernacular writing I mean
writing which is traditional and indigenous to the diverse cultural processes of communities as
distinguished from the uniform, inflexible standards of institutions” (Camitta, 1993: 228–9). She
refers to a variety of disciplines for support, citing work in linguistics, cultural studies, literary
criticism etc. in which the common feature of vernacular discourse is its derivation from folk or
popular traditions and a lack of conformity to the standard. In the school context, however, such
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Camitta (1993), sebagai contoh, menghabiskan masa tiga tahun dengan remaja di sekolah tinggi komuniti diPhiladelphia, bercakap tentang penulisan mereka dan berkongsi intimacies ini terlibat. Pengalamanmemaksa dia untuk menyemak semula andaian dan kepercayaan tentang bertulis bahawa dia telah diadakan sebagai guru di dalamsekolah dan yang dia adalah dominan dalam kalangan pendidikan di Amerika Syarikat. Beliau beransur-ansur menjadimengetahui tentang teks dan konteks untuk bertulis tidak rasmi atau diri ditaja diamalkan oleh remaja:Menulis, dia ditemui, satu aktiviti yang penting dan berbeza-beza dan mengenal pasti bidang utama yang"menganjurkan" budaya remaja. Dia menarik satu perbezaan antara jenis teks bertulis dan penhujung ini:"Jenis-jenis teks bertulis yang saya bercadang untuk mentelaah tidak esei, genre wacana rasmi ditetapkanbidang akademik, tetapi sebaliknya mereka yang remaja memilih untuk menulis dalam rangka kebapaanbudaya dan organisasi sosial." Teks-teks ini yang dia memanggil "vernakular," "dalam erti bahawa mereka adalah sebahagianberkait rapat dengan budaya yang elit mahupun institusi. Dengan penulisan vernakular yang saya maksudkanbertulis yang tradisional dan asli untuk proses budaya pelbagai komuniti sebagaidibezakan daripada standard yang seragam, tidak fleksibel institusi"(Camitta, 1993: 228 – 9). Diamerujuk kepada pelbagai disiplin untuk sokongan, memetik kerja dalam linguistik, kajian budaya, sasterakritikan dan sebagainya di mana ciri-ciri umum vernakular wacana adalah terbitan Syarikat dari rakyat atautradisi yang popular dan kurangnya pematuhan kepada standard. Dalam konteks sekolah, Walau bagaimanapun, apa-apa
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